One Million Years B.C. made the cretaceous era way hotter than it already was. The 1940 original isn’t remembered nearly as much as this 1966 Hammer Film remake. Despite being primarily known for horror, this was actually my first time seeing one of their British productions. Although One Million Years B.C. has cultural significance, the movie was strangely hard to find. Unlike the original, the campy element is fully embraced with cavegirl Loana front and centerfold. Raquel Welch is easily one of the sexiest women alive, and the biggest reason for the movie’s success.
Loana is practically a prehistoric supermodel with flawless blonde hair, a curvaceous figure, and a stunning fur bikini. The look was so iconic that I completely understand why Andy Dufresne hung it up in The Shawshank Redemption. Welch isn’t the only beautiful cavegirl in the movie. Loana at one point engages in a catfight with another attractive cavegirl played by Bond girl Martine Beswick. The rest of the remake plays out about the same as the original. Narration is the only dialogue before non-stop cave talk.
Tumak is still handsome with John Richardson in the part, but he’s hairy like the rest of the cavemen. The Rock tribe is even more savage with personal feuds that get resolved near the end. The Shell tribe live closer to the beach and are far more civilized. Oversized lizards pay tribute to the original, but most of the dinosaurs were achieved with Ray Harryhausen’s always impressive stop-motion magic. There’s a giant turtle, a T-Rex fighting a triceratops, and a pterodactyl picking up Loana. Now I know the context of those scenes in the Malcolm in the Middle opening. A volcano ends the cave romance on an ambiguous note. One Million Years B.C. marked a new age for modern sex symbols.
Remake of: One Million B.C.