The Mitchells vs. the Machines is your typical family road trip that happens to include a robot apocalypse. Sony Animation is still very hit or miss, but The Mitchells vs. the Machines is a hit that deserves way more attention. It’s got Gravity Falls writer Mike Rianda as the director, The LEGO Movie directors Phil Lord & Christopher Miller as producers, an all-star comedic cast, and the unique animation of Spider-Man: Into the Spider-Verse. The latter was apparent the moment I saw the first trailer with the painfully generic title Connected.
The Mitchells vs. the Machines is a much better title that reflects the film’s creativity. I knew Into the Spider-Verse would inspire similar animated movies, but the comic book style only works for superhero movies. So the animation is more so inspired by internet memes, doodles, pop art, and even a little live action. It’s another heavily detailed work of art that should’ve been on the big screen. Unfortunately, the Pandemic led to its eventual release on Netflix…
The Mitchells vs. the Machines is a perfect combination of original and familiar that feels like it was made especially for me. And not just cause it features songs from random YouTube videos of the 2000’s like “Nyan Cat” or “Numa Numa.” Like me and my family, the Mitchells are weird and quirky. Katie is a college bound teenager who loves niche movies, making funny videos, and wants to go to film school. Abbi Jacobson is similar to her Disenchantment character Princess Bean since both her and Katie are ambiguously queer.
I’m glad the movie doesn’t call attention to it, because the theme can be interpreted multiple ways. Katie and her dad begin to drift apart due to her unusual interests. Rick is her father who hates technology and loves nature. Danny McBride is funny, but he has a lot of range in the more emotional scenes. The movie is mostly about their relationship, but the rest of the family helps them open up. Linda is a supportive mother who encourages everyone with gold stars. I already know what to expect from Maya Rudolph. Linda is also jealous of her seemingly perfect neighbors voiced by real life married couple John Legend and Chrissy Teigen.
Aaron is an awkward kid with an obsessive love of dinosaurs. My only nitpick is Aaron’s distracting grown up voice provided by the director himself. Aside from the strong bound he has with his older sister, Aaron also develops a back and forth crush on their neighbors daughter who also loves dinosaurs. Monchi is the weird cross eyed dog who completes the Mitchell family. Unlike most animated movies, Monchi is voiced by the real life Doug the Pug. The road trip is supposed to strengthen the families relationship, but a robot uprising seems to come out of nowhere. Eric André voices your typical hip young tech company owner responsible for a device that everybody owns.
PAL is like Siri or Alexa if she turned on mankind. Olivia Colman has the right kind of trusting British voice for the AI. PAL Max robots are like giant smartphones with a sleek design and the ability to trap people in a force field. The Mitchells are humanity’s last hope as they avoid detection in their broken down station wagon while searching for a kill code. The action is a lot of fun, but the comedy is literally laugh out loud hilarious. Abrupt cutaway gags are hysterical and jokes about tech obsession are both funny and relatable.
There’s also a particularly humorous scene involving feral Furby’s. The funniest characters are a couple of malfunctioning PAL Max robots named Eric and Deborahbot 5000 who side with the Mitchells. Though the movie is longer than most animated movies, it’s all worth it to bring the Mitchells together in the end. The Mitchells vs. the Machines should’ve won Best Animated Feature, but the Academy Awards are still fixated on Disney. Luckily Sony managed to sweep most other major award shows. The Mitchells vs. the Machines is weird in the best possible way.