Joker put a spotlight on the Clown Prince of Crime. For better or worse, Joker exceeded expectations in the process. I don’t think I’m too far off in saying the Joker is the greatest supervillain of all time. The psychotic criminal clown is the perfect archenemy for the brooding Dark Knight. Although I always root for the hero, I can’t deny how entertaining the Joker is in every incarnation of his 8 decade history. He’s been the most famous evil clown in history, ever since his 1940 debut in Batman #1. He was supposed to be killed off, but the Joker’s popularity endured him as Batman’s greatest enemy. It’s ironic that Bill Finger, Bob Kane, and Jerry Robinson couldn’t agree on who created the Joker.
Since he’s never had a definitive origin. Its always been part of the intrigue to think someone could be so psychotic with virtually no explanation. Part of the reason why I was against a Joker origin story. Even if it was separate from the inconsistent DCEU, I wasn’t especially crazy about the supervillain solo movie trend that started with Venom. The first trailer wasn’t at all what I was expecting and the R rating made Joker seem more like a thriller than a simple comic book movie. I was still on the fence about a Batman movie without Batman, but I guess it worked for Gotham on TV. Despite an unnecessary amount of controversy and a laughably low 68% on Rotten Tomatoes, Joker rightfully became the first DC movie nominated for Best Picture at the Academy Awards…
Arthur Fleck becomes Joker
Joker is a character study that shouldn’t work as well as it does. Which is why comic books deserve way more credit for introducing such complex individuals. The Joker was always meant to be a crazy, but intelligent serial killer hidden under a permanent grin and clown motif. His most iconic look has always consisted of chalk white skin, green hair, a red smile, and a purple suit. Although he’s never had a definitive name or origin, the Red Hood falling into a vat of Ace chemicals tends to be the favorite. The Joker maintained his violent tendencies throughout the Golden Age, but the Silver Age turned him into a prankster with goofy gag weapons. Most kid friendly interpretations tend to lean on the clown’s silly side. It wasn’t until the Bronze Age that the Clown Prince of Crime got his edge back.
The Joker has had a profound impact on Batman’s life ever since. From killing Jason Todd (Robin) in “A Death in the Family” to paralyzing Barbara Gordon (Batgirl) in Alan Moore’s The Killing Joke. Not to mention his disturbingly unhinged portrayal in Frank Miller’s The Dark Knight Returns. I’m not a fan of the more sadistic Joker in recent comics, but it is fascinating to think about the many ways you can interpret one character. Joker actors have always brought something new to the man who laughs. Cesar Romero was a creative colorful comedian perfect for Adam West’s Batman. Jack Nicholson was already an Oscar winning actor who practically stole the show as his darkly comedic version from Tim Burton’s Batman. The 1989 movie made use of his chemical toxin origin, controversially made him the killer of Bruce Wayne’s parents, and gave him the name Jack Napier.
Luke Skywalker himself Mark Hamill, is arguably the greatest Joker who debuted in Batman: The Animated Series on top of several animated movies and video games. Heath Ledger was on a whole other level as the most grounded Joker to date in Christopher Nolan’s The Dark Knight. He’s my personal favorite portrayal in a performance that more than earned an Oscar after his untimely death. Oscar winner Jared Leto sounded like a good idea for the DCEU’s Suicide Squad, but his overly edgy gangster Joker is laughable for all the wrong reasons. Turns out Joaquin Phoenix wanted to do a low-budget DC supervillain character study for years. His methodical acting style wouldn’t have worked for Marvel or any other franchise character. Ironically, Todd Phillips similarly wanted to direct a grounded comic book movie. Although horror directors were proving themselves in lighthearted DC movies like Aquaman or Shazam!, Phillips was a comedy director who proved himself with the darkest DC movie of all time.
Thanks to the success of Deadpool and Logan, Joker more than earns its R rating. Joker is meant to be a Martin Scorsese style thriller from the 70’s. Specifically Taxi Driver and The King of Comedy. An 80’s Warner Bros. logo is used, while the DC label is nowhere to be seen. The soundtrack makes appropriate use of songs like “Send in the Clowns,” Smile,” and “That’s Life.” Although it was unlike any superhero movie I’ve ever seen, I knew I couldn’t miss it. No matter how controversial the movie became. People preemptively decided Joker would inspire real life crime, while critics seemed to attack the movie for its treatment of mental illness. Although some people think this is a sympathetic take on a remorseless supervillain, it’s way more complicated than that. Joker delivers a matter of fact interpretation of a mentally ill loner in a society that abandoned him and treats him like trash.
Though I was afraid this would be a definitive origin, the “unreliable narration” approach keeps things ambiguous. This version of the Joker is Arthur Fleck. Despite not existing in the comics, it’s still weird that they’d call him Arthur when Aquaman already has that name. Joaquin Phoenix has the long hair of Heath Ledger, but his portrayal is totally different. Phoenix became practically anorexic after losing a ton of weight for the role. He’s also a chainsmoker, but the biggest distinction is his trademark Joker laugh being a neurological condition. Arthur’s uncontrollable laughter is so distinct that it’s impossible not to play along. You can tell how much Arthur is suffering thanks to Phoenix’s stellar performance. Parallels to Taxi Driver can be seen in a 1981 Gotham City that’s rat infested with piles of garbage creating tension between its citizens. Swearing only occurs when necessary, but they don’t hold back on uncomfortable violence.
Arthur is a party clown with dreams of becoming a stand-up comedian. Forcing himself to smile is disturbing, but it’s hard not to understand how difficult his life is when kids beat him with his own sign. Arthur has a therapist who doesn’t listen, co-workers who don’t respect him, and a mother who tells him to put on a happy face. Although I wasn’t completely sure how much of the Batman story would be involved, this was the first movie to give Thomas Wayne significant attention. I’m just glad Brett Cullen played him instead of Alec Baldwin. Thomas Wayne is a more controversial figure running for Mayor of Gotham. Frances Conroy plays Arthur’s mother Penny Fleck as an equally mentally ill woman trying to reach out to Wayne. Arthur is like Travis Bickle for his descent into madness and surge of power when a fellow party clown gives him a gun.
When the gun gets him fired, Arthur uses it to murder three drunken Wayne Enterprises businessmen who harass him on a subway train. Another moment that’s difficult not to understand his side of. Arthur comes one step closer to becoming Joker while dancing to the music in his head. Zazie Beetz has her second comic book role after Deadpool 2 as single mother Sophie Dumond. Her cynical attitude gains Arthur’s attention and he somehow starts a relationship with her after the subway murders give him confidence. Parallels to The King of Comedy are unmistakable since Arthur is obsessed with a talk show host named Murray Franklin. Martin Scorsese may have dropped out as producer, but getting Robert De Niro to play the host is perfect full circle casting. Similar to Rupert Pupkin, Arthur has delusions of Murray embracing him like a son.
Arthur’s failed stand-up routine only stands out for his uncontrollable laughter. Nudity is only seen in his journal/joke book. His hopes are crushed when Murry makes fun of his stand-up routine on his show. Although he feels like a success, Arthur’s life takes a downward spiral when it’s implied Thomas Wayne might be his father. A disturbing scene of Arthur at Wayne Manor is when we see a young Bruce Wayne. Dante Pereira-Olson doesn’t have much to say, but Arthur trying to entertain his future archenemy is unforgettable. Douglas Hodge is a similarly flawed Alfred who tells Arthur that his mother was delusional. Things get worse when his mother suffers a stroke and the police show up with questions about the recent clown related murders.
A murder that sparks a movement of sympathizers who target the rich Thomas Wayne for his comments about the less fortunate. Arthur’s supporters dressed as clowns are disturbingly close to reality. Arthur confronts his potential father, but Thomas doubles down on Penny being delusional and punches him in the face for touching Bruce. He seeks answers at the future Arkham Asylum, but his answers are far worse than he thought. SPOILER ALERT! Arthur was actually adopted, abused by his mother at a young age, and developed a mental illness over time. Fleck is so far gone that the entire relationship he had with Sophie was all in his head. Her ultimate fate is best left ambiguous. His mother’s fate isn’t ambiguous when Arthur coldly realizes his life is a comedy while smothering her to death. Things start to turn around when Arthur is invited onto The Murray Franklin Show.
Apart from his traditional party clown attire, Arthur truly becomes Joker when his old clown buddies drop by. The guy who ratted him out is brutally murdered with a pair of scissors, but the little person who was nice to him is spared. It’s easily the most bloody act in the movie followed by pitch black comedy when he can’t reach the lock. Arthur Fleck Joker is different from any other version of the clown. He’s got the long green hair and white makeup, but he looks more clownlike with a red nose, smile, and blue diamond eyes. Some people might call his suit purple, but I think it’s more of a maroon color. His look is as instantly iconic as Joker’s improvised dance on stairs from the Bronx, New York. It was a far bigger takeaway than what people assumed would happen after the movie’s release. The police catch up to Joker and begin a pursuit in the midst of clown protests. Joker takes advantage of it by inciting a riot that gets the officers attacked.
Although far from a traditional climax, Joker on a talk show is a comic accurate reworking of a moment from The Dark Knight Returns. Arthur requests Murray refer to him as Joker before entering the show with another little dance. The building tension of the scene is masterful as Joker tries to win over the crowd and Murray continues to make fun of him. I couldn’t keep my eyes off the screen when he admits to killing people. Despite the warning signs, Murray doesn’t stop the show. He engages Joker in an intense discussion about society until he’s suddenly shot. The death of Murray Franklin happens live and incites an even worse riot. Batman begins with an R rated depiction of Thomas & Martha Wayne being murder in front of Bruce by Joe Chill in a clown mask. Joker is also born while wearing a bloody smile in front of an adoring crowd of anarchists.
The movie ends on another ambiguous note of Arthur in a mental hospital laughing to himself. Joker was nominated for Best Picture, Director, Adapted Screenplay, Cinematography, Costume Design, Film Editing, Makeup and Hairstyling, Sound Editing, and Sound Mixing. I was fine with the nominations since it won the most deserving awards. Hildur Guðnadóttir won Best Original Score for her haunting cello music. Joaquin Phoenix finally won Best Actor after being nominated for Gladiator, Walk the Line, and The Master. Since Heath Ledger also won an Oscar for playing the Joker, that made them the second pair of actors to win for playing the same character. Ironically, after Marlon Brando and Robert De Niro each won for Vito Corleone. All the pushback was meaningless when Joker became the first R rated movie to gross a billion dollars. Joker is like a joke that only so many people will understand.
Joker dances on stairs